RockWater Roundup
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Hi readers,
Today we discuss The Chernin Group’s investment into Goalhanger, the UK’s largest independent podcast producer.
While the headline highlights the resurgence of podcast M&A, the real story is the fundamental shift in how digital media IP is being valued, and specifically podcast native business models. We’re moving away from the era of audio-only distribution and into a new podcast media model: building a brand in the ears, scaling it on the screen, and monetizing it through a high-margin mix of ads, licensing, and direct-to-consumer loyalty.
Let’s break it down…
–TARGET: Goalhanger–
Overview
- UK’s largest independent podcast producer, specializing in personality-driven and conversational series
- Known for its “The Rest Is…” franchise, which pairs high-authority hosts with deep-dive conversational formats
- Operates a diversified media model including long-form audio, digital video, live events, and a membership program
- Founded in 2014 by Tony Pastor and Jack Davenport
- HQ in London, UK
- 80 stated employees
Company Highlights
- ~$50M in 2025 Revenue
- 80% YoY 2025 Revenue Growth
- 750M+ full-episode views and streams in 2025
- 400M+ downloads in 2024
- 250,000+ paying members across its “Club” subscription offerings
- 4 of the top 10 podcasts in the UK (including #1 and #2 spots)
- 10+ shows consistently appearing in global top-50 rankings
- Strategic rights and league partnerships: includes a landmark three-year deal with LALIGA EA Sports to feature weekly match clips, and a global archive deal with the Premier League covering every season since 1992
- Expanding streaming distribution via a multimillion-pound deal with Netflix for a daily 2026 World Cup show, and integrated video content partnerships with DAZN for the FIFA Club World Cup
Founding Story
- Founded in 2014 as Goalhanger Films, originally focused on high-end sports documentaries like Mo Salah: A Football Fairytale
- In 2018 refocused toward podcasting, launching We Have Ways of Making You Talk with Al Murray and James Holland
- Scaled from a documentary house to top podcast network between 2020 and 2022, reaching ~$50M in 2025 revenue and 70M+ monthly views
- Expanded the “The Rest Is…” ecosystem into high-growth verticals including Politics (2022), Football (2023), and Entertainment (2023), while launching specialized shows like The Rest Is Science (2025) and The Book Club (2026)
- Transitioned from a production-for-hire shop to an Owned & Operated IP powerhouse by prioritizing direct audience monetization and talent equity
- Recently pivoted to a video-first strategy, driving massive growth on YouTube and CTVs
Content Channels
- Global podcast distribution across Apple Podcasts, Spotify, and Amazon Music
- Social and streaming distribution via TikTok and Instagram for short-form clips alongside full-episode streaming on Netflix, DAZN, and LaLiga
- YouTube Shorts enabled “shop window” strategy to drive long-form discovery
Business Lines
- Direct-to-Consumer Memberships…
- Providing ad-free feeds, early access, and bonus content through a paid subscription model; including The Rest Is History Club and The Rest Is Politics Plus
- Priced at £6 per month or £60 per year, with premium tiers like the “Athelstan” level priced at £25 per month
- Live Events & Merchandising…
- Producing large-scale ticketed live shows and branded apparel like The Rest Is Fest (tickets priced at £47) and premium Royal Albert Hall hospitality packages (priced up to £235 per person)
- Branded Content & Partnerships…
- Partnering with global brands to create special podcast series and ad campaigns including a multi-episode history of Walt Disney featuring CEO Bob Iger and a Beatles Anthology special with Conan O’Brien, both timed to major Disney+ launches
Capital Markets History
- Jan 2026: Received a minority investment from The Chernin Group, a private investment firm focused on media, entertainment, and consumer-facing digital businesses
–INVESTOR: The Chernin Group–
Overview
- Private investment firm focused on media, entertainment, and consumer-facing digital businesses
- Originally structured as a holdco acquiring and operating D2C media and tech brands before transitioning to growth equity.
- Track record of building and monetizing premium storytelling IP across multiple formats, including TV, film, and streaming
- Portfolio includes creator- and content-led companies such as Barstool Sports, Hello Sunshine, Crunchyroll, and Audiochuck, many of which have expanded beyond their original distribution formats
- Known for backing talent-driven platforms with strong audiences and clear pathways to scale IP across formats and geographies
- Founder Peter Chernin also owns North Road, a production company that’s in talks to sell to Mediawan
- Founded in 2010 by Peter Chernin and Jesse Jacobs
- 198 associated members via Linkedin
- HQ’d in LA
Founding Story
- Founded in 2010 by Peter Chernin following his tenure as President and COO of News Corporation, where he oversaw global film, television, and publishing assets
- Launched as an independent investment platform focused on backing premium media, entertainment, and consumer-facing companies with durable IP and strong audiences
- In 2015 raised $500M+ from institutional investors to scale investments across media, content, and digital platforms
- Over time, expanded its capital base and operating footprint through additional fundraises and platform builds
Investment Strategy / Criteria
- Invests in media, sports, and consumer-facing digital businesses with strong audience engagement and scalable IP
- Targets founder-led, talent-driven platforms across digital video, podcasts, newsletters, and social distribution
- Prioritizes businesses with adaptable IP that can extend beyond their initial format into new distribution channels and monetization streams
- Typically invests growth equity capital, taking minority or majority stakes in scaled but still expanding businesses ($10M+ EBITDA)
- Provides long-term capital and strategic support to help companies expand geographically, diversify revenue, and scale monetization
Capital Markets History
- Jan 2026: Minority investment in Goalhanger, a UK-based podcast network behind The Rest Is History and other top-ranked shows
- Dec 2025: Minority stake in Entangled Publishing, an independent romance-fantasy book publisher focused on IP-driven expansion
- Jul 2025: Participated in Substack’s $100M Series C, backing the leading creator-owned newsletter platform
- Apr 2025: Invested $120M in Unrivaled Sports, a media-first sports venture focused on launching new professional leagues
- Mar 2025: $40M minority investment in Audiochuck, the true-crime podcast network founded by Ashley Flowers
- Other notable investments include Barstool Sports, Food52, CAKE, The Athletic, and the Premier Lacrosse League.
–DEAL DETAILS–
Overview
- Announced January 28, 2026
- Financial terms were not disclosed
Strategic Rationale
- Provides Goalhanger with strategic capital and partners to accelerate U.S. expansion while preserving its creator-led operating model.
- Gives Goalhanger access to the broader Chernin ecosystem, including Chernin Entertainment, creating pathways to extend its audio-first IP into TV, film, digital video, and live formats through experienced production, financing, and distribution support.
- Builds on Goalhanger’s strength in history, sports, and factual storytelling, categories that translate naturally into documentaries and screen-based formats with global audiences.
- “They share our vision for what Goalhanger can become and are the perfect partner to help us realise that ambition,” said Tony Pastor, Jack Davenport, and Gary Lineker, co-founders of Goalhanger
- “Goalhanger has built a premium podcast business with a distinctive voice and a global audience, and we see significant opportunity to expand the company’s IP across platforms and markets,” said Greg Bettinelli, Partner at TCG
Post-Deal Operations
- Goalhanger will continue to operate as an independent podcast network following TCG’s minority investment.
- Gary Lineker, Tony Pastor, and Jack Davenport will retain creative and operational control of the business post-transaction.
- TCG will take a seat on Goalhanger’s board as part of the transaction, marking its first external investment in the company.
- TCG is expected to support Goalhanger’s growth by expanding its IP beyond audio and exploring opportunities across television, film, digital video, and live formats
– WHAT ELSE I FIND INTERESTING–
Rise in Podcast M&A: A Shift in IP Investment Strategy
The TCG x Goalhanger deal is yet another indicator that the audio winter of 2022-2023 is over.
But the industry’s investment thesis has shifted.
Unlike the Spotify-led spending deal spree of 2019, which focused on exclusive distribution of podcast IP ($450M was spent on Gimlet, Parcast, and The Ringer), our deal research and day-to-day buyer convos signal that capital is now chasing 2 key themes:
- Multi-platform IP franchises
- Services and technology that drive monetization and direct-to-fan relationships
Why Valuations of Podcast Publishers Are Rising
We’re observing a fundamental re-rating of podcast asset values, driven by the shift from audio-only to multi-platform IP.
This evolution is transforming podcasts from niche feeds into a new cornerstone of modern media.
- Social Video Convergence: The “YouTube-ification” of podcasting has unlocked a large new discovery engine. By converging audio storytelling with social video, creators are seeing 1.5x higher consumption rates and reaching younger, mobile-first audiences that traditional podcast directories don’t capture.
- Strong Ad Market Growth: Podcast ad revenue is projected to hit $5 billion by 2026, a 20% YoY increase. Advertisers are no longer viewing podcasts as a test line item; instead, they’re chasing the 93% completion rates and the deep trust built through host-read integrations, which now function across audio, video, and CTV.
- Content Licensing Gold Rush: A large second-market has emerged for podcast IP. Major streamers are now paying hundreds of millions to secure audiovisual rights to audio-first hits. Deals like Netflix x iHeartMedia, Netflix x The Ringer, and Tubi x Audiochuck prove that podcasts are now premium TV-grade content. These licensing pacts don’t just provide a meaningful new revenue line; they also push the IP into the living room, which will help these multi media companies reach millions of new viewers, and in turn drive millions more social and digital media impressions. That will equate to more advertising dollars, and more customers who convert into premium paid memberships.
- The Rise of High-Margin D2C Clubs: We’re moving from a reliance on CPMs to diversified, recurring revenues. Digital media publishers are now building large, direct-to-consumer businesses that convert casual listeners into paying superfans. Take Goalhanger: they’ve scaled to 250,000+ paying members across their “The Rest Is…” franchises. By offering ad-free feeds, early access, and bonus content for roughly £6 / month, they’re generating an estimated £15M+ in high-margin, recurring annual revenue before a single ad is sold. This sticky revenue makes media businesses more attractive acquisition targets, and is causing an uptick in market valuation multiples. It’s because the new and growing business model signals that these networks aren’t just content shops; they’re D2C platforms with durable, recurring revenues.
Overall, this is an emergent new media model that’s finally seeing strong market traction: building a brand in the ears, scaling it on the screen, and monetizing it through a diversified mix of ads, licensing, and direct-to-consumer loyalty.
Below are recent podcast-adjacent publisher deals driven by the above market drivers:
- 1.6.26 – UK-based Global Media Group acquired a majority stake in The Overlap, a digital sports media network by former England and Manchester United soccer player Gary Neville. Boasts 2.2B views across all platforms for 2025, and covers sports like soccer, rugby, and cricket
- 5.16.25 – PodX acquired Lemonada for $30M, a podcast network and creative studio with 50 original and 40 partner shows with many in the top 10 charts (our deal analysis)
- 3.7.25 – TCG invested $40M into Audiochuck, a podcast network specializing in true crime and mystery. Boasts 20 weekly and seasonal shows, and just did a $150M content licensing deal with Fox’s Tubi (our deal analysis)
Investing in Creator Monetization: Services + Tech
A major focus for our team is how modern media companies are building middle layers and tooling to help creators move away from a total reliance on social platforms. The goal is to operationalize a creator’s reach into a scalable, diversified business that also includes direct-to-fan relationships and monetization strategies.
This is helping creator businesses evolve into a higher quality investable asset class. Which will in turn drive more investor ROI, as well as capital and innovation that will push our industry forward.
We’re seeing this play out through two main types of acquisitions:
- The Service Layer: Strategy, Sales, & Operations: The recent acquisitions of Red Seat Ventures by Fox and Silver Tribe Media by Initial Group (our deal analysis) show that buyers value the operational expertise required to turn talent into a business. RSV and Silver Tribe provide the strategy and management needed to build D2C media brands. For example, Initial Group’s move for Silver Tribe wasn’t just a talent grab; it was an investment in a vehicle that builds diversified businesses for athletes like Peyton Manning and Dale Earnhardt Jr., and entertainment personalities like Oprah Winfrey.
- The Tech Layer: D2C Monetization & Data: To scale these businesses, creators need dedicated technology. This explains Fox’s acquisition of Supercast earlier this week. By pairing RSV’s services with Supercast’s subscription and gated-content technology, Fox has built a full-stack creator monetization platform. This infrastructure allows creators to own their 1st-party data and drive recurring revenue, making their businesses more durable and less susceptible to algorithm changes. On top of Fox’s many other recent creator-focused investments, the move makes the traditional media co an increasingly attractive destination for high-profile creators and media personalities who want to access premium monetization, robust support services, a community of other creators, resources to incubate IP, and new distribution channels like TV and streaming…all under a single roof. We wrote about the rise of the new “Creator Ecosystem” in our 2026 Creator M&A Outlook, and how we’re seeing new strategies emerge here from companies like Whalar and Stephen Bartlett’s Flight Group – I’ll now officially add Fox Corp. to that mix!
- A quote from Supercast founder Jason Sew Hoy sums it up well: “From the very first conversation with Chris Balfe at Red Seat Ventures and Paul Cheesbrough at Tubi Media Group, it was clear that we shared the same worldview: that creators can own their audience, control their brand and build significant, sustainable media businesses on their own terms,” Hoy said. “We’re excited to accelerate investment in the Supercast platform and bring even more opportunities to our creators and partners by leveraging the power of Red Seat Ventures, Tubi Media Group and FOX.”
Of note, these creator monetization and D2C trends are the core thesis for a client we’re currently representing in an M&A sales process – a company that helps knowledge creators build D2C ecourse businesses, and that boasts 300% YoY growth for the past few years (DM me if you want to learn more about it).
Overall, the market is increasingly prioritizing companies that can control their own monetization and customer data, and have broad top-of-funnel reach to build audiences at scale that can be down-funneled into more premium experiences and monetization.
Journalist-Led Networks: Turning Individual Influence into Enterprise Value
Goalhanger’s strategy of hiring high-profile journalists to launch specialized verticals – most notably Alastair Campbell (former Downing Street Director of Communications) and Rory Stewart (former Conservative Cabinet Minister) for The Rest Is Politics – follows a key trend we’re seeing in the “creator economy for professionals.”
We’ve seen this playbook in recent deals like Puck’s $16M acquisition of Air Mail (deal analysis) and Paramount’s $100M+ acquisition of The Free Press (deal analysis).
The industry reality is that audiences now follow the individual person, not the traditional media brand.
However, to scale, these individuals require an operational middle layer. Puck’s acquisition of Air Mail demonstrates that while independent, journalist-led brands often hit a growth ceiling, rolling them into a shared-service platform enables cross-pollination of audiences and significantly lower customer acquisition costs. These transactions are not just content plays; they represent a move toward an owned & operated IP model where talent holds real equity. This ensures long-term alignment and transforms a talent-at-will risk into a stable, investable media enterprise.
There’s also some similarities here to the employee-to-creator dynamic I wrote about last week in our deal analysis of Future Plc acquiring SheerLuxe for $54M plus earnout.
I’m the founder of RockWater Industries. We do M&A and strategy advisory for creator economy and social / audio agencies. From buy / sell-side M&A and fundraising, to consumer research and go-to-market planning.
DM me on LinkedIn or email me chris@wearerockwater.com
RockWater Roundup
Join our community of builders and investors, and sign up here for the most widely-read newsletter on M&A and strategy insights for the creator economy and digital agencies.
We help you build and invest better.
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INTRODUCTION
Welcome to RockWater’s annual Creator M&A Outlook.
If 2025 was the freshman year of the recovery—where “we’re back” was the rallying cry—2026 is the sophomore year.
The industry is maturing, the grades matter, and the market is rationalizing. In the analysis below, we break down the six critical themes defining this new era of industrialization; from reframing the creator asset class, and the private equity race to consolidate talent managers, to the bifurcation of the social services stack, and the arrival of audited financial metrics that are finally closing the bid-ask spread.
At RockWater, we don’t just observe these trends; we engineer the deals that drive them.
As the leading M&A and strategy advisory firm for the creator economy and social / audio agencies, we help founders and investors navigate this maturing landscape to find the right exit or capital partner. From advising on Feedfeed’s recent sale to People Inc. or the sale of a social publisher to a SE Asia family office (deal closed the day after Christmas), to guiding strategy for global media entities, we serve as the trusted strategic partners to the leaders defining the next stage of the industry’s growth.
If you’re looking to sell, buy, or build in 2026, DM us. You can see our client wins on our RockWater Website, and get our real-time deal analysis by following me on LinkedIn.
Now, let’s look at the capital markets roadmap for the year ahead.
Theme 1: From Experiment to Asset Class (The Check-Writers Have Changed)
The capital stack is evolving because the data is undeniable. The creator economy is on track to hit $530 billion by 2030. We’re past the experimental phase, and officially in the mainstream.
In 2025, a new tier of buyers entered the mix: legacy media (fighting for survival), B2B software firms (needing modern tools), and tech aggregators. The market has grown up, and the check-writers have changed. The creator economy is no longer just a VC bet or speculative undertaking — it’s a critical asset class and a corporate imperative.
Evidence:
- Bending Spoons buys Vimeo for $1.38B (deal analysis) – A large take-private deal proving that even “legacy” creator tools are being rolled up by tech aggregators.
- Pinterest buys tvScientific (deal analysis) – A social discovery platform buying CTV infrastructure to close the loop between mobile intent and living room scale.
- Fox’s deal spree: Acquired audio drama company Meet Cute (deal analysis), creator sales / D2C agency Red Seat Ventures (deal analysis), and invested in Whalar’s Lighthouse (deal analysis) as well as microdrama platform Holywater. Fox is actively assembling a portfolio of modern media assets.
- People Inc. buys Feedfeed (deal analysis) – RockWater Client Win: Validating that legacy institutional buyers want social-native assets.
- Publicis pays $150M for Captiv8 (deal analysis) – A holding company buying the tech stack and creator network to fortify its influencer marketing business.
- Paramount buys The Free Press for $150M (deal analysis): Proves that legacy studios now view creator-led journalism as a core strategic asset, rather than just a digital experiment.
- MLB buys stake in Jomboy (deal analysis): Ends the “copyright strike era,” replacing litigation with an equity partnership that aligns rights holders with the creators driving the next generation of viewership.
2026 Prediction: The FOMO Re-Entry for Capital Allocators.
A creator economy strategy is now existential. In 2026, the buyer pool will expand into unexpected corners: gig platforms (Fiverr/Upwork pivoting to creator tools), the cfo stack (fintech and legacy banks capturing new depositors), model trainers (AI labs seeking data stockpiles), b2b commerce infrastructure (Shopify ecosystem), political organizations who seek influence for midterm elections, and more.
Furthermore, buyers who hesitated between 2024 and 2025 will re-enter the market aggressively, realizing that the risk of falling permanently behind outweighs the pain of overpaying.
Theme 2: Talent is King (The Race to be Gatekeeper to the Gatekeepers)
Private equity is running its billion-dollar Hollywood playbook again—but this time, on the creator economy. After spending the last decade consolidating traditional talent agencies (e.g., TPG selling CAA for $7B), financial sponsors have realized that creator management is the new high-growth asset class.
The industry remains highly fragmented, but the migration of ad dollars and consumer attention to social video is forcing a change. We’re seeing a race to become the “gatekeeper to the gatekeepers” i.e. creator personalities command modern audiences, and talent managers hold the keys to the creators.
The deal activity here is the most aggressive we’ve seen across the industry, as buyers look to roll up independent managers into scaled platforms that can command higher multiples and offer diversified services.
Crucially, this demand is expanding beyond traditional representation into talent empowerment. Buyers are placing a premium on the engines that help creators monetize, such as brand partnership teams, elearning and D2C agencies, and content localization and syndication services. These businesses are now viewed as essential infrastructure for scaling and diversifying creator IP and revenues, and building direct-to-consumer relationships.
Evidence:
- GameSquare buys Click Management for $8.5M (deal analysis) – Validation of the global scale thesis, expanding reach into gaming and Australia.
- Propagate buys Parker Management (deal analysis) – A traditional production powerhouse acquiring digital talent reps to control the modern IP supply chain.
- Initial Group buys Silver Tribe Media (deal analysis) – TPG-backed Initial Group (new owner of Untitled & Grandview) bought this sports-centric digital production and sales shop to launch Initial Digital. A signal that modern entertainment rollups seek to also acquire digital infrastructure.
- Sienna Private Equity buys Independent Talent Group – French private equity firm Sienna acquired a majority stake in the UK’s leading talent agency at a reported $100M+ valuation. Highlights that European capital is also funding buy-and-build strategies to consolidate the fragmented European talent market.
- Carlyle invests in 3 Arts (deal analysis) – Smart money isn’t just betting on digital; they’re doubling down on the enduring power of traditional literary management and production aka the “engine” of Hollywood.
- Fixated raises $63M (deal analysis) – The rise of the hybrid model: combining talent management and content studio and syndication services.
- Linguana raises $8.5M – Raised seed funding to scale multilingual YouTube channels for content creators worldwide—via AI and human oversight, they power global reach with zero upfront cost and a revenue-share model.
2026 Prediction: Indie Squeeze, Big Swings, and the Infrastructure Premium
The top of the market will continue to consolidate; meaning that scaled independent managers will be rare, in-demand assets. In 2026, the standouts will deny acquisition offers to take “big swings”—mergers of equals or large growth equity rounds to increase scale and financial wherewithal, and become buyers themselves. In turn, positioning themselves for a larger, albeit riskier, future exit.
Talent reps that simply forward emails will lose value, as bare bones services won’t cut it in the modern talent landscape. Those that offer true 360 strategy services, and additional services like in-house production and IP ownership alongside their talent clients, will command the highest valuation multiples.
It’s getting harder to be a subscale operator, but ambitious up-and-coming reps will always find exciting pockets of opportunity. Particularly as the niche-ification of content continues.
Finally, expect a valuation premium for monetization infrastructure. We predict aggressive bidding for companies that provide the ‘picks and shovels’ for proven creator revenue and audience growth. We’re already seeing this firsthand with active mandates we’ve just brought to market; buyers are eager for assets that empower creators to scale beyond their primary platforms.
Theme 3: The New Social Services Stack (Finding the Wedge into Brand Dollars)
Modern brand marketers have moved beyond buying simple influencer posts. They now demand a full “social services stack”—spanning creative strategy, performance, offline activation, and workflow automation.
For agency CEOs, the game has changed. To capture a larger share of the brand’s wallet, they need a strategic wedge—a specific, modern capability that gets them into the P&L and keeps them there.
- The Experience Wedge: Buyers are acquiring event production because offline moments are becoming a new anchor for digital campaigns.
- The Strategy Wedge: Performance shops are buying creative social strategy to own the brand narrative, not just the ad buy.
- The Workflow Wedge: Consolidators are buying social media management (“SMM”) tools to secure recurring revenue and sticky daily workflows.
This creates a divide in the market: services VS infrastructure.
On one side, we have the service roll-up. Diversified agencies and consultancies are acquiring social shops to become the tip of the spear for brand dollars. These are strategic features bolted onto larger P&Ls.
On the other side, we have the “toll booth”. Venture capital is chasing the tech infrastructure that automates the messy middle of the creator economy, and in turn will participate on every single dollar of the $100+ billion of advertiser media shifting to creators. Investors are realizing that while services scale linearly with people, infrastructure scales exponentially with code.
Evidence:
- Night buys Experiential Supply (deal analysis) – The Experience Wedge: Validating that offline production is the new “tip of the spear” to unlock 7-figure digital budgets.
- Agentio raises $40M Series B (deal analysis) – The Toll Booth: Investors paid a premium ($340M valuation) for a platform that automates creator media buying, signaling that the next wave of value creation will come from reducing friction rather than just adding headcount.
- Wpromote buys Giant Spoon (deal analysis) – The Strategy Wedge: A performance marketing giant buying a creative agency to own the full funnel.
- group.one buys SocialPilot for $50M (deal analysis) – The Workflow Wedge: A digital consolidator acquiring best-in-class scheduling tools to own the “operating system” of the social manager.
- Accenture Song buys Superdigital (deal analysis) – The Enterprise Wedge: Global consultancies buying niche social capabilities to modernize their legacy client offerings.
2026 Prediction: Features go to Strategics, Toll Booths go to VCs
We’ll see a clear split in exit paths. Service wedges (agencies, production co’s) will be bought by strategics (holdcos, consultancies) at multiples of EBITDA to plug holes in their service stack. Infrastructure toll booths (adtech, payment rails) will be funded by VCs at 5-15x revenue.
Warning: For every successful tech exit, more than ten will fail. The entry barriers get lower by the day with AI coding tools, and customer distribution is the new point of competitive leverage.
Theme 4: The New Capital Stack for Creator Content (Smart Money Bets on IP)
While the infrastructure of the creator economy is consolidating, a parallel wave of capital is flooding the content layer. In 2025, the investment thesis expanded beyond platforms, service providers, and tools to aggressively target the financing, production, and licensing of creator-led IP.
This capital is fueling new storytelling formats that didn’t exist five years ago—from the explosion of microdramas and vertical storytelling to live creator-owned sporting events.
Crucially, the capital stack driving this market has evolved. The money for premium content is no longer coming from a small cohort, including “mismatched” investors like VCs looking for tech multiples. It’s now coming from:
- Strategics: TV networks and global streaming platforms desperate for younger eyeballs.
- The “Smart” Money: Traditional media funds investing in modern media assets or bolting on social-first companies to modernize legacy investments. Simultaneously, there’s a surge of insider capital—partners at these funds and execs at creator companies writing personal checks, doubling down on the ecosystem they operate in daily.
- Specialists: A new vintage of modern funds dedicated specifically to the creator industry.
We’ve seen cycles of capital flow into this space before—dating back to the first vintage of YouTube MCNs, then the short-lived hype of Vessel and Quibi. But this time feels different.
Today, the sheer scale of social and creator audiences is unprecedented, forcing investors and licensees to make existential bets and finally write checks that match the enormous influence they’re buying. Legacy players see the writing on the wall: to survive, they must bet on creator IP.
The result is a blurring of lines where creators are up-leveling into Hollywood producers, and Hollywood producers are scrambling to build audience marketing engines on social media.
Evidence:
- Tubi Partners with Audiochuck – A multi-year $150M deal for Ashley Flowers’ IP, proving top-tier audio commands video-tier licensing fees.
- Netflix x iHeartMedia video deal – A strategic “windowing” play where Netflix locks up video exclusivity for 14 franchises. By removing these shows from YouTube, Netflix validates that top-tier vodcasts are now premium, subscription-driving IP rather than just free marketing.
- Unicorn Management raises $900k (deal analysis) – Early stage capital for the creator studio model, led by Powerhouse.
- The launch of Further Adventures (deal analysis) – A new content studio launch signaling the rise of independent, creator-focused production houses.
- Good Good Golf raises $45M (deal analysis): Led by Creator Sports Capital and Peyton Manning’s Omaha Productions, validating the creator league model.
- A24 greenlit The Backrooms, a horror film directed by VFX YouTuber Kane Parsons. Follows other A24 creator film bets like Talk to Me from the duo behind the RackaRacka channel,
2026 Prediction: The Checkbook Bifurcation and The Hybrid Premium
In 2026, the gap between YouTuber and media company will widen, and capital will choose sides. Large financing rounds will flow exclusively to creator production studios—independent entities that can develop and own IP—but the bar to entry has raised significantly.
The easy money era is over. To unlock these 8-figure checks, creators must professionalize. Investors are no longer betting on buzz or reach; they’re demanding real org charts with distinct business, content, and operations teams. Founders must articulate a clear POV on their unique growth wedge and draw a direct line between the capital ask and investor ROI.
Consequently, we expect a premium for hybrid models—but the definition is expanding. While the manager-producer (talent + studio) is the current favorite, we expect to see new combinations emerge: talent rep x content studio x ad agency x ??. The breakout companies of 2026 will be those that successfully stack these business lines, creating diversified revenue moats that look less like traditional Hollywood and more like next-generation media conglomerates.
Theme 5: The New Creator Ecosystem Emerges (and Leaves the MCN Dream Behind)
For a decade, the industry chased the MCN dream—aggregating thousands of channels to sell ad inventory. It failed because it was a low-margin arbitrage game with little operational value for creators.
In 2025, we saw its successor: the creator ecosystem model.
Unlike MCNs, these new holding companies are not passive aggregators. They’re active operators building a diverse set of services that combine talent management, production studios, venture capital, and proprietary technology under one roof. They don’t just rep talent; they incubate businesses, own the tech stack, and finance the IP. They’re the modern, decentralized version of what traditional Multi-Channel Networks (MCNs) wanted to be but couldn’t execute.
Evidence:
- Steven Barlett’s Flight Group hits $425M Valuation (deal analysis): In October 2025, Steven Bartlett raised a strategic round led by Slow Ventures and Apeiron Investment Group, valuing his holdco at $425M. His goal is to build the “Disney of the Creator Economy,” combining media (FlightStory), ventures (FlightFund), and tech (FlightCast) to capture value at every stage of the creator lifecycle.
- Whalar hits $400M Valuation (deal analysis): Backed by Marc Benioff, Shopify, and Hollywood producer Neal H. Moritz, Whalar wants to prove that a six-pillar ecosystem—spanning everything from an influencer agency and physical creator campuses to a gaming studio and venture arm—commands a premium over traditional agency models.
2026 Prediction: The Battle for the Ecosystem Blueprint.
The industry will race to define the winning strategy for building a creator ecosystem business We expect two distinct playbooks to collide: the organic scale (companies like Flight Story expanding operations) vs. the buy-and-build (aggregators like Initial Group bolting talent / media / digital capabilities onto a flagship core).
The defining question will be: What is the right wedge into the ecosystem model? Is it better to start as a talent rep, a social publisher, an ad agency, or other?
We predict large variance in outcomes. A select few will prove they can operationalize synergy and scale into billion-dollar holding companies. Others will fall into the MCN trap—aggregating low-margin services that generate hype today but fail to grow into their outsized valuations tomorrow.
Theme 6: The Black Box of Dealmaking Opens (Moving from Vibes to Valuation Data)
For the last decade, creator economy investments and M&A were a black box. Valuations were based on buzz and subscriber counts, and financial terms were buried under strict NDAs. But in 2025, the lights turned on.
As I shared in my recent interview with NetInfluencer, “We are moving away from vibes-based valuations to really standardized metrics.” As more public companies entered the fray—from GameSquare to People Inc. to Dotdigital—creator dealmakers finally got a look at the real numbers. We’re now seeing public filings that disclose purchase prices, EBITDA multiples, and earnout structures.
This shift is transformative.
When data becomes public, the asset class becomes priceable. Founders can set realistic expectations, and investors can model returns based on audited benchmarks, not just pitch deck promises. This transparency reduces risk, which ultimately attracts more capital to the sector.
Evidence:
- Public Buyer Disclosures: We saw granular deal terms revealed in acquisitions like GameSquare buying Click Management for $8.5M (deal analysis) and Amaze Holdings buying The Food Channel for $650k (deal analysis). If you look up earnings call transcripts, you can learn more about our client Feedfeed’s sale to People Inc. (deal analysis).
- Sharing of Multiples Data: We published detailed breakdowns of valuation multiples for B2B creator tools, such as group.one (private co) acquiring SocialPilot for $50M (~5.0x ARR) (deal analysis) and Dotdigital (public co) acquiring Social Snowball for $35M (~6.7x Revenue) (deal analysis).
- The Beast Benchmark: The looming prospect of a MrBeast IPO (and the required S-1 filing) will reveal a level of financial data scrutiny never before seen for a scaled creator business. If the IPO is planned for late 2026, expect filings to be released around Q3 of this year.
2026 Prediction: The Bid-Ask Compression
With better data comes faster deal velocity. In 2026, the frustrating bid-ask spread—where a founder wants 20x revenue and a buyer offers 6x EBITDA—will narrow significantly. We’ll all learn faster. With a shared reality on what creator businesses are actually worth, we expect a surge in “lower middle-market” M&A ($10M – $100M deals) as buyers and sellers can finally agree on the math.
CLOSING NOTE
Planning to sell, buy, or build in 2026?
Don’t navigate the “Sophomore Year” without a study guide. At RockWater, we bridge the gap between creative vision and financial rigor, helping founders and investors find the right exit or capital partner. We don’t just observe the market; we help engineer the deals that define it.
DM me to discuss your 2026 strategy.
chris@wearerockwater.com
I’m the founder of RockWater Industries. We do M&A and strategy advisory for creator economy and social / audio agencies. From buy / sell-side M&A and fundraising, to consumer research and go-to-market planning.
DM me on LinkedIn or email me chris@wearerockwater.com